Author Archive for Zoe

Pizza boxes, infographics and the Economist

10
Nov
08

The Economist - Cheese

Infographics are getting hot these days and, riding this trend, the Economist launched a juicy advertising campaign showing us, once more, how to be effective without using stunning images and talking to a selected audience.

And if you want to know more about the possibilities of visual information beyond the classical field of diagrams, take a look at DATA FLOW, an inspiring book, published by Gestalten, concerning complexity, simplification and readability solutions in information design.

When social networking meets guerrilla marketing

19
Sep
08

Media producer Scott Blaszak tried to imagine what the future of marketing could be, and this video, published on Slate, is the result. Are we really heading in this direction?

Just a stroke of the pen

28
Aug
08

Milan, end of August: the summer break has ended, and everyone is returning back to work. Slowly, the city is recovering its normal busy pulse. I don’t know about you, but for me the end of vacations, much more than New Year’s Eve, represents a new start and I’m more inclined to reflect upon what I normally do during the year, and especially about my job as a copywriter. Many words were spent on advertising until the onset of the 90s: in fact, before that decade, words could easily reach the 60% of total weight of an ad.

Nowadays images rule virtuallly unchallenged. A major exception arises when we deal with “digital brand strategy”, though, since interaction is involved. It’s about creating the right environment that nurtures opportunities for interpersonal exchange. Building relations with people online means engaging with reactions, emotions and conversations. In this case, writing becomes more essential than showing. To prove the enduring power of the written word, I’d like to share with you a video which is helping me find a fresh start for this year’s business season. It’s the story of a copywriter who with few strokes of the pen manages to transform the experience of another man. The director won the Cannes 2008 Online Competition.

Where’s the hybrid gone?

26
Jun
08

As Donald Gunn taught us in 1978, one of the master formats of advertising is “associated user imagery”. This kind of ad “showcases a type of people it hopes you’ll associate with the product”, in order to transfer the qualities of the people to the product you are trying to sell. In fact, I think this is the format Renault Koreos’ advertisers used to create the following TV ad I just saw last night. The only difference is that here instead of people they’ve got cars.

For the first 47 seconds, this 60-second video promotes the new French SUV in Italy using vintage footage about old Renault models, soundtracked by the irresistible “I’m free” by Rolling Stones, and then finally switches to the brand-new gas-guzzling beast rescuing the old sisters from muddy troubles, concluding with a reassuring voice saying: “4×4 outside, Renault inside”.

I’ve had three cars in my life,and two of them were Renaults. Watching the first 47 seconds I was carried away by all that technicolor galore. But when I saw the 4×4 entering the scene, I jumped on my sofa in disbelief. Even if every single second of the ad was trying to convince me, and was doing it well, then that Renault just didn’t fit it in the picture. Do you remember that classic IQ test question asking: “In this set, which object does not belong?”, that’s how that SUV popped up to my eyes.

In Italy, SUV sales have increased fourfold in a decade, but this growth is parallel to also two other things: the awareness that this type of car is not suited for the European city and that a low-gas/low-emission economy is fast becoming a stark reality.
Releasing a SUV now (emitting 230 g/km CO2 when the limit for 2015
is going to be 125
) for the first time in 2008, when even GM is is closing four SUV plants, doesnt fit in the values the Renault brand has long being associated with: vision, innovation, casualness, and daring.

Investigating about the concept of this car I found this old post
describing the Koleos prototype with these words:

The new concept car also offers prompt response and driving pleasure, with a hybrid power unit that combines a two-litre 16-valve turbocharged petrol engine with an
electric motor.

So what happened to the hybrid SUV? I have yet to find an answer.

I think that never like today paying attention to your brand values and your audience (and reality) attracts more money than a good ad. And looking at this 1973 Renault 4 (190g/km) retromercial had me dwelling on another question: what in the world we need SUVs for?

Here’s the solution to yesterday quiz:

  • A is one of the last Tom Ford advertisment banned because the “scene evokes an offending and abusive act against women, which degrades the dignity of the person.”
  • B is a recent campaign for a ferry-boat company which advertised new lines connecting Naples with Sicily using this payoff: “Etna and Vesuvio have never been so close”
  • C is the billboard campaign for Triennale Bovisa, a new space dedicated to contemporary art in Milan

Stay tuned!

By Zoe ROMANO [FullSIX Milano], Comments

Banned, loved, crashed

07
May
08

Italians, as everyone knows, are obsessed by women’s bodies. You can tell just by walking down the street, since huge 6×3 billboards portraying healthy breasts and bottoms invariably block your view.

But weird things happen, when the Italian Institute for Advertising Self-Discipline gets involved. The Institute (a non-profit organization) is part of the system of self-regulation of the advertising industry that was set up in Italy in 1963. It can ban any ad that falls foul of its Code. The Institute must first receive complaints from consumers or any other affected party, in order to activate its considerable powers. The iffy part comes when the following article of the Code must be enforced:

Art. 9 – Violence, Vulgarity, Indecency:
Advertising must not contain statements or representations of physical or moral violence or such which can be considered indecent, vulgar or repugnant according to the sensibility of consumers.

I want to test your capacity to be part of the advertising self-discipline jury. Here are three campaigns that have recently appeared in Italy.

A.
sun.jpg

B.
boobs.jpg

C.
mouth.jpg

And this is what happened:

1. One was banned
2. One caused many car accidents
3. One advertised an art pavillion and was widely diffused

Match the fact with the relevant pic! We’ll give you the answer tomorrow…

Hologram Me!

01
Apr
08

Captivating the attention of people is a hard and stimulating work expecially if someone wants to talk to the superglamorous generation who has luxury in its DNA.

Fashion designers know about this: the effort they put and the talents they gather for the preparation of their 10 minutes catwalk, are all focused on producing intense emotions for their lucky audience. In this direction theatrical displays are transforming catwalks into stage sets and new technologies are finding their chance to be known worldwide. One of the lastest fashion shows by Alexander McQueen saw the image of supermodel Kate Moss emerge in a holographic installation inside a giant glass pyramid. The scene reminded me the main sequence of “The Illusionist“, where a fascinating Edward Norton, impersonating a magician in turn-of-the-20th-century Vienna, summons the spirit of his beloved Sophie. His charismatic gaze made people crazy and watching the movie you realize how important was for audience of that time to believe that his powers weren’t illusions. Nowadays the power of illusions is even more important than power in itself.

We find a similar magical effect in the Diesel catwalk for Spring/Summer Collection 2008: an immersion in the bioluminescent world of giant mechanic cephalopods, futuristic aquanauts and mysterious galactic polips walking with real and holographic models.

Recently a broader audience had the chance to be engaged by holographic technology because a giant water screen-based 3D hologram was set up in Tokyo Bay to advertise the Japanese premiere of the movie about the Loch Ness monster, “The Water Horse“. A set of water jets synchronized with light projections created the amazing illusion of a 15m Nessie emerging from the sea. Can’t wait for the next experiment…

Data is our favorite lunchbox

30
Jan
08

lunchbox
When it comes to decide the strategy of a creative campaign, target research and data are juicy starting points to give creativity the right boost.
Consumer data are especially relevant, after the not so recent alarms on information and advertising overload. In the US, for example, there are about 630,000 TV screens placed in retail stores and their number is poised to grow. The question is: are they really useful?

What’s happening is that given the impossibility to assimilate an excessive array of media options, people tend to go multitasking and this affects how they use traditional media and discriminate among different types of content.
According to the latest report by BIGresearch which conducted a survey on 15,727 American people, the top 3 promotions influencing the purchase of a product are in-store product, samples, shelf coupons and special displays.

New media options tend to increase people’s engagement with other activities, such as reading newspapers, listening to the radio or watching TV. In this respect, key interesting findings are:

  • 70% of the people eat while engaging with media, followed by doing housework and laundry, cooking and talking on the phone.
  • When reading a newspaper, 30% also watch TV, 17% listen to the radio or go online.
  • During a TV commercial, 41.2% of the people surf on other TV channels, 33% talk over the phone or contact people online, 30% think about their own business.

It’s not about being hostile to product information or being overwhelmed by it, though. More likely, it’s about learning to discriminate useful from redundant information. Experienced consumers tend to stick to relevant facts, especially now that budgets are stretched in a slowing economy.

Photo courtesy of jsc*

bullying
Bullying of people has entered a new phase. In fact, campaigns around the world remind us that digital tools are being used by teens to molest, shame, and intimidate others.
Today running away from bullies is not enough for an individual to be safe, because digital sociability widens personal availability, also considered that ridicule and stigma can spread fast by way of social networking media.
This unconventional banner, from the campaign for COI (The Central Office of Information) on Cyber Bullying, is a fast way to make teachers and parents able to understand what cyberbullying is about in the age of 21st century social networks.

By Zoe ROMANO [FullSIX Milano], Comments

Smart Table

They are called “smart tables” and are new tools likely to improve creativity and brainstorming.
It’s relatively simple. Put together a big glass surface, a projector, a digital camera, touchscreen software and something unexpected will happen: 3D objects can be animated and can visually interact with digital images like never seen before. Can’t wait to put my hands on this nifty device

By Zoe ROMANO [FullSIX Milano], Comments



The TrendWatch:


The TrendWatch is the collective postings of some of the FullSIX Group’s designers, strategists, and consultants on new media and marketing trends. It is meant to be an impromptu think-tank, and is a way for us to share theories and beliefs about how we think communication and connectivity is evolving.

We work for The FullSIX Group; a leading full service marketing agency with digital DNA. From our 15 international offices with over 600 employees, we constantly embrace and encourage innovation to make integrated marketing and communication campaigns that are more accountable and efficient for our clients.