And guess what, it doesn’t run on iPad but on a Android based tablet, an ICD Ultra.
The prototype was presented last week at TED and also at Mobile World Conference in Barcelona, being built on cross-platform runtime Adobe AIR. Altough iPad isn’t really a full web experience by not supporting the Flash Player, the Adobe CS5 packager does allow to turn this experience into a iPad app. You can find out more about the future of digital publishing at Adobe’s blog.
If it is not texting and looking and TV, it’s computer and listen to my iPod (…) If i know i’m gonna miss a show i record it.
I have facebook on my cellphone. I could research a word, do anything on my phone.
— Diamond, 14
The Kaiser Family Foundation released today a report on Generation M(2), a research on media habits of 8-18 year olds, with a sample of more than 2,000 young people across the US. Impressive how this 100% connected generation is using mobile as the main gateway to digital content. Not to mention the multitasking habits. But you knew that already, right?
Key findings of the report include:
Over the past five years, Young people have increased the daily consumption of media from 6:21 to 7:38
An explosion in mobile and online media has fueled
the increase in media use among young people.
Youth who spend more time with media report lower grades and lower levels of personal contentment.
For a short overview of what kids have to say, follow the video below:
Yesterday, the quintessential online ad resource BannerBlog featured two ads for Smart. Both pulled dynamic data — weather and maps — to build a display ad unit. I could be wrong, but the data source was probably some sort of API. For those not so versed in acronyms, Wikipedia to the rescue:
An application programming interface (API) is an interface that a software program implements in order to allow other software to interact with it; much in the same way that software might implement a user interface in order to allow humans to interact with it.
Flickr Mosaic: Crayonbox, constructed with Flickr API. Released under a CCommons license by krazydad
Like digital bridges, API’s request standartized information from public (and sometimes private) web services. From USA Spending to Fedex tracking, from Flickr to Google Maps, the interest for APIs has been traditionally confined to B2B/ERP and the Social Web. But lately the concept is extending beyond these areas: with developers creating exciting and unexpected uses with the new data available, and with consumer brands and the ad industry starting to let go of their closed silos, in essence “letting one thousand flowers bloom“. A good consumer brand example of this trend is the UK grocery chain Tesco, who announced a new API at TechForTesco and invited developers to tinker with its data, search for nutrition facts or send ‘ideas’ to the customer’s ‘ideas inbox’.
Web development frameworks have long been using these large building blocks to enable rapid development by a larger interested audience. They not only ignite the engine of innovation, sometimes stalled by internal corporate politics, but also allow brands to have a comfortable degree of control. With new data sets available, we could start thinking of new kinds of mashups, such as business data built directly into communication solutions, CRM programs feeding custom content or display ads with real-time data, as mentioned in the beginning.
Before a brand dips into this space, it’s challenge is to question which data set respects legal and privacy issues, while at the same time being interesting enough for developers and consumers to act upon. What they shouldn’t be asking is if an API is useful (it’s useful when the data is right).
If you’d like to know more about what’s being done with such web services, I highly recommend checking out the website Programmable Web. It’s a useful resource with over 1500 APIs that have been used in thousands of mashups.
Not Fab from fabulous, but rather Fab from making and using fabbers, machines that can make almost anything, by printing three dimensional objects.
From commercial to the more open-source hardware and software solutions at Fab@home, these machines will enable people to download and print objects, experimenting with shared projects and try out new materials. Fabber owners improve these models and share physical objects with other fabbers, with the same enthusiasm as the pioneers of open source movement.
The wave of innovation brought by Web 2.0 technologies, with a sustainable co-creation by thousands of users, is now expanding to the physical world. The signs are there: from hacker (in the creative sense) communities like Make, Instructables or the more neo-Craftsy website Etsy.com, people are getting more comfortable with the idea of building something with their own hands. It’s about feeling empowered, the hands-on experience of building something, appealing not only to our darwinian survival skills but also have a bit of science fiction premonition (remember Luke Skywalker building C3PO as a young kid?). Yes, because even young kids are starting to love the tinkering, as shown on this TED Talk by Gever Tulley.
If all this seems futuristic to you, just try to imagine how IKEA will look in a decade: instead of boxed items, dozens of 3d printers are available at the cashier. You just take the blueprints and super fast hardware will print that out. Or even better: for smaller items, you just download the schematic at IKEA Fab Store and print them at home.
Yes, it seems far fetched. But so did Augmented Reality a decade ago. I just hope the media won’t hype Fab as much as they did with AR. Universal manufacturing is something that could change society in unexpected ways, the same way Internet did, by redefining industries and democratizing innovation. It comes nonetheless with a new set of dilemmas, such as the degree of experimentation or control of outputs.
As for companies, they’d better start thinking how their old models of patents stand up to this new paradigm, with a product’s life cycle being dramatically redefined. And, who knows, maybe even involve the consumers in true User Generated Products.
Now that the dust has settled, the TrendWatch team is reviewing the awarded entries at Cannes Lions 2009 Advertising Festival. We’ll be focusing mostly on digital work, but that doesn’t mean it’s only about Cyber, as this year as proved that the digital divide is blurring even further, with agencies delivering integrated campaigns where interactive takes a active role.
Let’s start with the Young Creatives competition, were my 2 friends (and former colleagues) won the Press category. Great work Clara and Nuno!
It was a risky approach but in the end, the jury recognized the value of the creative concept. A lesson for young creatives: Playing safe only brings you ordinary results. Be bold.
As for Cyber, Antonio di Battista and Massimiliano Bibbo from Italy took Gold, with a play on the omnipresent search box, placed inside a leaderboard.
Direct had as Grand Prix one of the most effective campaigns last year: Best Job In The World. Created by CumminsNitro for Tourism Queensland, it managed to draw worlwide attention, when it initially was expecting only 1000 signups.
With a small team and the initial budget of 1.7 million AUD$, it proved quite effective with over $80 millions dolars worth of spontaneous advertising, from blog posts to user generated content and a massive spread on social web services like Twitter and Facebook, with contestants promoting their applications with the help of friends.
Not that the award matters to Ben Southall, the lucky guy who is now blogging and having a really hard work scuba-diving in the coral reefs.
It’s about a great idea, but it’s mostly about consumer behavior (and not technologies). With people insecure due to the financial crisis, offering the chance of a dream job was the right answer.
Winning lots of Lions, were also the Banner Concerts for Axion, created by Boondoggle, Belgium. The rich media formats were welcomed on a gloomy year regarding the efectiveness of display advertising, with the winning entries pointing the way how to engage users on a personal level.
Several bands playing concerts on a 300×250 or 728×90 scale really gets one’s attention. If you’re interested on how the agency did it, check the making-of blog.
Other worthy mention to the viral success of T-Mobile’s Life’s For Sharing, a branded flashmob.
Having been a part of some ImprovEverywhere’s missions, let me tell you: people love to be surprised. And, imagine that, they love to share it.
Last words to the case above, a Bronze winner for Volkswagen’s NavigationLetter, a perfect example how award categories are blurring.
When Mark Weiser coined the phrase “ubiquitous computing”, he wasn’t thinking only on the pervasiveness of computational devices. He was mainly concerned about the age of calm technology, when technology recedes into the background of our lives.
Fast forward 2 decades and we can’t help realizing how physical computing has become a part of the lives of the western world. Yet … we still have a long way to go in creating the kind of experiences that make us calm instead of driving us (consumers) mad. That’s were UX (User Experience) kicks in. From the more traditional field of interaction design, the discipline is now making waves in other fields. From digital ethnography to service design, UX is the missing link between technology and business, and were brands (do i really need to say Apple) have a chance to create a sustainable advantage.
Give customers/users a seamless, no friction, calm experience and they will become your salespeople. Don’t just focus on technology, for hype’s sake. Even if the video above seems really cool with their great use of augmented reality, i can’t help wondering: how complicated would that experience might be out of the lab? How could we make it easier for non-digerati to enjoy it? Our task as experience designers, is to create new ways of interaction that make technology a quiet, invisible servant.
The TrendWatch is the collective postings of some of the FullSIX Group’s designers, strategists, and consultants on new media and marketing trends. It is meant to be an impromptu think-tank, and is a way for us to share theories and beliefs about how we think communication and connectivity is evolving.
We work for The FullSIX Group; a leading full service marketing agency with digital DNA. From our 15 international offices with over 600 employees, we constantly embrace and encourage innovation to make integrated marketing and communication campaigns that are more accountable and efficient for our clients.
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